Sound & Specs Comparison
Both IEMs are widely regarded in the audiophile community. See how they differ in terms of sub-bass response, upper mids, clarity, and overall tonality. Spider charts and rating breakdowns included.
Facts, details, stuff.
General Info | Cantor | IER-Z1R |
---|---|---|
Brand | AFUL | Sony |
Country | Taiwan | – |
IEM Description | The AFUL Cantor combines technical precision with musicality in a hybrid design. Featuring a dynamic driver for powerful bass and multiple balanced armatures for clean mids and sparkly highs, it delivers a spacious soundstage with excellent separation. Tuning leans slightly toward a balanced-bright signature, making it a solid choice for detail lovers who still want some low-end punch. | Despite their small size, the Sony IER-Z1R earphones feature a sophisticated 3-way design with two dynamic drivers and a highly precise balanced armature. The sound quality is not just high-resolution—it's ultra-high-resolution, reaching an impressive frequency response of up to 100 kHz. Housed in a precisely crafted, virtually resonance-free aluminum shell, the design ensures that all three drivers remain in perfect phase alignment. The cables are fully balanced and made from high-purity OFC copper with silver plating for maximum detail retrieval. |
Price Level | 500 – 1.000 | 2.000 + |
Housing & Driver | ||
---|---|---|
Driver Config | Multi-BA | Hybrid |
Driver Types | Balanced Armature | Dynamic Driver + Balanced Armature |
Shell Material | – | – |
Cable | 4Braid 5N OFC Cable | – |
Technical | ||
---|---|---|
Freq Range | – | 3-100.000 Hz |
Impedance (Ω) | 20 | – |
Sensitivity (dB) | 106 | 103 |
Crossover | RLC Network Electronic Crossover | – |
Platform Info | ||
---|---|---|
Comments | 1 | 0 |
Visit Count | 128 | 93 |
External Reviews | 1 | 1 |
// Nothing to compare yet.
IER-Z1R produces sub-bass that is a more textured and present in cinematic or bass-heavy tracks (9 vs 8.5). The bass in It feels a more physical and textured, with improved rumble and body compared to Cantor (9 vs 8.5). In the upper mids, It sounds a clearer and more articulate, highlighting vocals and lead instruments better than Cantor (8.5 vs 8). It provides a more refined lower treble, resolving fine detail and air with greater finesse than Cantor (9 vs 8). The upper treble of It extends m further, offering more sparkle and openness than Cantor (9.5 vs 7.5). It creates a m wider soundstage, giving instruments more space and a better sense of placement than Cantor (10 vs 8). The retrieval of faint audio cues on It is a more convincing, while Cantor tends to gloss over them (9.5 vs 8.8). In complex arrangements, It separates layers n more distinctly, preventing overlap that Cantor occasionally suffers (9.5 vs 8.3). It keeps competing frequencies under control c more effectively, reducing sonic congestion compared to Cantor (9 vs 8). Notes played through It feel a weightier and fuller, giving a more satisfying impact than those from Cantor (9 vs 7.5). It delivers s stronger slam and physicality, making drums and transients hit harder than Cantor (9 vs 8.5). The upper range of vocals is a cleaner and more forgiving on It, helping it avoid sibilant harshness that Cantor shows (9.5 vs 8.5). Timbre on It sounds s more realistic and natural, whereas Cantor feels slightly more artificial or colored (9.5 vs 7.5). It portrays textures in vocals and strings with a more realism, enhancing emotional depth over Cantor (9 vs 8).
Cantor | IER-Z1R | |
---|---|---|
Sub Bass | 8.5 | 9.0 |
Bass | 9.0 | 9.0 |
Bass Feel | 8.5 | 9.0 |
Lower Mids | 8.5 | 8.5 |
Upper Mids | 8.0 | 8.5 |
Lower Treble | 8.0 | 9.0 |
Upper Treble | 7.5 | 9.5 |
Sound Stage Width | 8.0 | 10.0 |
Detail | 8.8 | 9.5 |
Layering | 8.3 | 9.5 |
Masking | 8.0 | 9.0 |
Note Weight | 7.5 | 9.0 |
Slam | 8.5 | 9.0 |
Sibilance | 8.5 | 9.5 |
Timbre Color | 7.5 | 9.5 |
Tonality | 8.8 | 9.0 |
Texture | 8.0 | 9.0 |
// Nothing to compare yet.