Sound & Specs Comparison
Both IEMs are widely regarded in the audiophile community. See how they differ in terms of sub-bass response, upper mids, clarity, and overall tonality. Spider charts and rating breakdowns included.
Facts, details, stuff.
General Info | Cantor | Tea Pro |
---|---|---|
Brand | AFUL | XENNS Mangird |
Country | Taiwan | – |
IEM Description | The AFUL Cantor combines technical precision with musicality in a hybrid design. Featuring a dynamic driver for powerful bass and multiple balanced armatures for clean mids and sparkly highs, it delivers a spacious soundstage with excellent separation. Tuning leans slightly toward a balanced-bright signature, making it a solid choice for detail lovers who still want some low-end punch. | – |
Price Level | 500 – 1.000 | 100 – 500 |
Housing & Driver | ||
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Driver Config | Multi-BA | – |
Driver Types | Balanced Armature | – |
Shell Material | – | – |
Cable | 4Braid 5N OFC Cable | – |
Technical | ||
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Freq Range | – | – |
Impedance (Ω) | 20 | – |
Sensitivity (dB) | 106 | – |
Crossover | RLC Network Electronic Crossover | – |
Platform Info | ||
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Comments | 1 | 0 |
Visit Count | 128 | 65 |
External Reviews | 1 | 0 |
// Nothing to compare yet.
Cantor delivers n deeper and more extended sub-bass, reaching lower frequencies with greater authority than Tea Pro (8.5 vs 6). It enhances basslines with m more energy and grip, giving them a livelier feel compared to Tea Pro (9 vs 7). The bass in It feels d more physical and textured, with improved rumble and body compared to Tea Pro (8.5 vs 7). Male vocals and lower instruments sound d richer and better defined on It, unlike Tea Pro which can seem hollow (8.5 vs 6.5). Upper mids are a more resolving and expressive on It, revealing emotion and articulation better than Tea Pro (8 vs 6). Instruments like violins and brass are portrayed with a more brilliance on It, while Tea Pro sounds slightly dull (8 vs 7). The highest frequencies on Tea Pro feel a more natural and less rolled-off compared to Cantor (8 vs 7.5). Cantor paints a a broader sonic landscape, offering better instrument positioning across the stage (8 vs 7). It retrieves micro-details m more effectively, revealing nuances that are less apparent in Tea Pro (8.8 vs 7). It separates instruments a more distinctly, helping complex passages remain coherent where Tea Pro blends them (8.3 vs 7). It keeps competing frequencies under control a more effectively, reducing sonic congestion compared to Tea Pro (8 vs 6.5). The note presentation is b fuller and more tactile on It, giving instruments a stronger physical presence than Tea Pro (7.5 vs 7). It hits with d more authority during transients, creating a more explosive effect than Tea Pro (8.5 vs 7). It controls harsh sibilant peaks a more effectively, making vocals smoother than on Tea Pro (8.5 vs 6). It presents instrument timbre with a more natural coloration, giving a realistic tone that Tea Pro lacks (7.5 vs 7). Across the frequency range, It stays a more consistent in tonal balance, resulting in a smoother listen than Tea Pro (8.8 vs 6.5). It portrays textures in vocals and strings with a more realism, enhancing emotional depth over Tea Pro (8 vs 6).
Cantor | Tea Pro | |
---|---|---|
Sub Bass | 8.5 | 6.0 |
Bass | 9.0 | 7.0 |
Bass Feel | 8.5 | 7.0 |
Lower Mids | 8.5 | 6.5 |
Upper Mids | 8.0 | 6.0 |
Lower Treble | 8.0 | 7.0 |
Upper Treble | 7.5 | 8.0 |
Sound Stage Width | 8.0 | 7.0 |
Detail | 8.8 | 7.0 |
Layering | 8.3 | 7.0 |
Masking | 8.0 | 6.5 |
Note Weight | 7.5 | 7.0 |
Slam | 8.5 | 7.0 |
Sibilance | 8.5 | 6.0 |
Timbre Color | 7.5 | 7.0 |
Tonality | 8.8 | 6.5 |
Texture | 8.0 | 6.0 |
// Nothing to compare yet.