AVG. Rating
7.2
IEM AIEM B
VS
AVG. Rating
6.1

Mk12 Turrisvs.Orchestra Lite

Sound & Specs Comparison

Change Focus:

76%
Mk12 Turris
Absolute Score: 79.3%
24%
Orchestra Lite
Absolute Score: 64.5%

Total categories compared: 29

Winner:Mk12 Turris

( leads by 175.5% in direct comparison by points delta )

Information

Both IEMs are widely regarded in the audiophile community. See how they differ in terms of sub-bass response, upper mids, clarity, and overall tonality. Spider charts and rating breakdowns included.

Objective Comparison

Facts, details, stuff.

General InfoMk12 TurrisOrchestra Lite
BrandHidizsKiwi Ears
CountryUK
IEM DescriptionThe MK12 Turris brings a striking design together with a smooth and full-bodied sound. It’s an all-rounder that aims to please a broad range of musical tastes while offering style and substance in equal measure.
Price Level100 – 500100 – 500
Housing & Driver
Driver ConfigSingle Dyn. Driver
Driver TypesDynamic Driver
Shell Material
Cable
Technical
Freq Range10-45kHz
Impedance (Ω)32
Sensitivity (dB)111
Crossover
Platform Info
Comments10
Visit Count1764
External Reviews10

Meta Ratings

Especially for complex musical passages, Mk12 Turris handles layering and imaging noticeably more confidently and precisely. Craftsmanship-wise, Orchestra Lite feels subtly more meticulously assembled, reflecting a level of engineering and attention to detail that elevates the product. Compared to Mk12 Turris, It’s cable exhibits notably smoother handling, with fewer instances of memory or stiffness. Regarding included accessories, It offers a considerably more complete and useful package, which may include additional tips, a better case, or enhanced extras.

Sound
Comfort Fit
Build Quality
Stock Cable
Accessories
Mk12 TurrisOrchestra Lite
Sound
7.8
6.5
Comfort Fit
7.3
7.5
Build Quality
7.5
8.0
Stock Cable
4.8
8.0
Accessories
5.0
8.0

Sound Characteristics

Mk12 Turris produces sub-bass that is overwhelmingly more textured and present in cinematic or bass-heavy tracks (8.5 vs 4). It renders bass with n greater punch and separation, where Orchestra Lite sometimes feels bloated (8 vs 4.5). It translates bass vibrations into a overwhelmingly more visceral experience, while Orchestra Lite lacks this tactile feedback (8.5 vs 4). It achieves overwhelmingly better warmth and coherence in the lower mids, bringing more realism to guitars and cellos (9 vs 4.5). It strikes a m better balance between presence and smoothness in the upper mids compared to Orchestra Lite (8 vs 5). Instruments like violins and brass are portrayed with s more brilliance on It, while Orchestra Lite sounds slightly dull (9 vs 6.5). It extends m further into the upper treble, adding air and openness that Orchestra Lite lacks (9 vs 7.3). The stereo field on It feels a wider and more holographic, whereas Orchestra Lite sounds more intimate (8 vs 6.8). The retrieval of faint audio cues on It is a more convincing, while Orchestra Lite tends to gloss over them (8.5 vs 7). Track elements feel a more isolated and clean on It, offering clearer focus than Orchestra Lite (8.5 vs 6.3). Instruments remain intelligible on It even during busy sections, showing c better handling of masking than Orchestra Lite (8.5 vs 6). It adds a more body and density to musical notes, enriching the overall texture compared to Orchestra Lite (8.5 vs 6). It delivers a stronger slam and physicality, making drums and transients hit harder than Orchestra Lite (7.5 vs 6.3). The upper range of vocals is a cleaner and more forgiving on It, helping it avoid sibilant harshness that Orchestra Lite shows (9.5 vs 7.3). It presents instrument timbre with a more natural coloration, giving a realistic tone that Orchestra Lite lacks (8.5 vs 6.8). The overall tonality of It is a more balanced and cohesive, offering a sound signature that feels better tuned than Orchestra Lite (8.5 vs 5.8). It portrays textures in vocals and strings with m more realism, enhancing emotional depth over Orchestra Lite (8 vs 5.5).

Mk12 TurrisOrchestra Lite
Sub Bass
8.5
4.0
Bass
8.0
4.5
Bass Feel
8.5
4.0
Lower Mids
9.0
4.5
Upper Mids
8.0
5.0
Lower Treble
9.0
6.5
Upper Treble
9.0
7.3
Sound Stage Width
8.0
6.8
Detail
8.5
7.0
Layering
8.5
6.3
Masking
8.5
6.0
Note Weight
8.5
6.0
Slam
7.5
6.3
Sibilance
9.5
7.3
Timbre Color
8.5
6.8
Tonality
8.5
5.8
Texture
8.0
5.5

Tonal Signature

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